If one is a mainstream writer, one rarely if ever has input into cover design. However, if one is indie, and one has an amenable cover designer, one can give them a brief and they work with it.
The inspiration for my latest book, Reliquary, originally came from the research I carried out for the previous trilogy called The Triptych Chronicle. In the process of seeking facts on rare and valuable merchandise that may have been traded in the twelfth century, I came across mention of a silk called byssus and which is still harvested in the Mediterranean from a species of shellfish.
When I write a novel, I always scan the screen for likely people to inspire my characters.
I will spend time watching their movements, how they speak, trying to pick up nuances that build brick upon brick.
So these are the faces/actors whose work helped me with Reliquary…
Yesterday, I looked at the word count of Reliquary, my current manuscript, and realised I had passed the 100,000 mark. I was surprised. It seemed only a short time ago that I watched 50,000 tick over and then time just slowed and it seemed no matter how often I wrote, the numbers barely changed. Some days, I would delete a page or a paragraph. And at one point, I accidentally opened the file at the very beginning and decided I wanted to hit the readers pretty hard from the get-go and so added a kind of prologue to set the scene.
I have still to get the editor’s approval on that one but it works for me…
I’m a bit sick of myself at the moment – I’m having a bit of an injury-prone Covid-isolation! But then all who know me would say that’s because I go at most things like a bull at a gate.
C’est la vie! It just means I can’t walk as far and as fast and that I’m more of a couch potato (which I have to say I hate!) which means a chance to continue on writing Reliquary and that’s fine because the story is ratcheting up.