I’m sure I’ve written before about a creative partnership between myself and Bopress Miniature Books – where I’m contracted to write a short story which is then printed, illustrated and bespoke-bound, to be offered as a limited edition to miniature book-collectors.
It’s a unique partnership and one of which I’m immensely proud. Bopress’s work sings to me in so many ways – not least of which is the sheer grit, determination and artistry of the press.
This exceptional gift arrived to celebrate the launch of the second book in The Gisborne Saga.
It’s a delicate miniature copy of a medieval girdle book, created and bound by renowned miniature book artist, Patricia Sweet, from Bopress Studios
This arrived today!
I am over the moon… Nugget would love my current state.
I love the cover.
I love that it’s a slip cover.
I love the image of the wombat and those with whom he interacts.
I love the little paw print at the end of the story and underneath the publisher’s name on the last page.
Being published is tremendous, talking with one’s readers even more so. I count myself fortunate to have been able to correspond with so many readers since 2008 owing to this amazing technological world we inhabit. But one of the most exciting developments in my writing life has been establishing the informal partnership with Pat Sweet.
I’m a miniature book collector, but I’m sure those of you who know Mesmered’s blog are quite aware of that. Quite aware also that I have an occasional creative partnership with a highly respected miniature bookmaker from the USA. Pat Sweet of Bo Press Miniature Books
The New year introduces some changes to the Big Red Chair on Mesmered. Rather than limiting it to just indie writers, I have decided to extend it to people I meet in real life and virtually who fascinate me, in the belief that something of their choices and their activities will interest you as well.
On Friday, Bopress Miniature books asked if I was interested in writing a short-story about Gisborne for the studio to create and bind a special book. I needed no urging because last year the studio did a beautiful version of The Masked Ball around the time that we were actually holding a ‘virtual’ masked ball on the blog.
What makes people become collectors? Is it something that chimes in the soul? Here in Australia, we have a marvellous TV show called Collectors. It isn’t Antiques Roadshow styled, although antiques feature. Essentially it is about the collections that people make, why they collect them, even where they collect their ephemera. I collect blue and white Cornish Ware because I love the colour and the stripes and it reminds me of everything that Rosamund Pilcher has ever written about. As a child I dabbled in stamps and then model farms made by Britains (which I still have and which Dad built farm fences for. And stables and a tack room and fed shed.). I collected dolls from different countries too and when I travelled to different parts of the world, I bought a gold charm in every city. I also collect old books that appeal: childrens’ books mostly.
I’ve not been able to get into the vampire in literature thing. Not in any way. Whilst I enjoyed the splendour of the Masked Ball in Van Helsing, much of the rest of dracule-infested life left me for dead, if you’ll pardon the pun!
(Parthenope seated at her workbench, Bacigalupo in an easy chair by the fireplace.)
Bacigalupo: ‘May I speak?’
Parthenope: ‘One moment. Counting.’ (pause)
Bacigalupo: ‘Is this one of the very tiny ones?’
